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Floating World Vol. 1

by Aaron Novik

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  • Record/Vinyl + Digital Album

    Get both the 12 inch full length and the 7 inch, containing all of the music on the CD or download. 12 inch has the longer songs (9) and the 7 inch has the shorter songs (11!).

    Includes unlimited streaming of Floating World Vol. 1 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    A CD of Floating World.

    Includes unlimited streaming of Floating World Vol. 1 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      $15 USD or more 

     

  • Full Digital Discography

    Get all 19 Aaron Novik releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of No Signal, O+O+, Berlin, Rotterdam, The Hotel of 13 Losses, The Fallow Curves of the Planospheres, Frowny Frown, Storyboard Music Vol. 2, and 11 more. , and , .

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1.
T.S. Eliot 04:53
2.
3.
Bataille 02:29
4.
5.
6.
Umbrella 00:16
7.
8.
Therapy 00:43
9.
10.
Hitler 1945 03:18
11.
12.
13.
Philip Roth 01:38
14.
15.
16.
17.
18.
19.
Seat Part 00:14
20.
21.
Wisps 02:15

about

Composer and clarinetist Aaron Novik spent 5 years collaborating, writing and performing the music on this album, while working at the eccentric and eclectic Adobe books, where he met and befriended the three poets whose writings are featured on this album.
The record is described on his web site as “an extension of The Mission Outsider Poets Project. This music uses texts/poems from local poets that are marginalized from the mainstream. Michael Bernard Loggins is a poet and writer who is developmentally disabled. His creative use of language and perceptions as a disabled person of color are as unique as they are beautiful and often times silly. Bart Alberti is a autistic savant who committed suicide in 2006. His poetry is highly intellectual and exploits the friction of juxtaposing imagery to create a unique beauty. Swan is a mentally ill homeless man who types leaflets that expound on his belief system, centered on feeding pigeons, rats and other vermin as a holy act.”
The music was recorded entirely analog, so absolutely no computers or protools were used to make any of the music. So when you buy the vinyl, you are getting an actual analog experience. Do people still care about things like this? We'll see. Enjoy!

credits

released October 1, 2011

Personnel:
Lisa Mezzacappa: bass
Jamie Moore: drums (1, 2, 4, 7, 16, 18)
Jason Levis: drums (3, 5, 6, 9, 10, 12, 13-15, 17, 21)
Dina Maccabee: violin (1, 2, 7, 16, 18)
Sarah Jo Zaharako: violin (3, 5, 6, 9, 10, 12-15)
Alisa Rose: violin (21)
Kasey Knudsen: alto saxophone
Marié Abe: accordion, organ, electric piano (1, 2, 7, 8, 16, 18, 20)
Rob Reich: piano, accordion, organ, electric piano (3, 5, 9, 10, 12-15, 17, 21)
Carla Kihlstedt: vocals (1, 3, 5, 7, 10, 18)
Katy Stephan: vocals (2, 4, 6, 8, 9, 11, 13-16)
Karina Denike: vocals (11, 21)
Melody Ferris: vocals (11, 21)
Jessica Grace: vocals (11, 21)
members of Conspiracy of Beards: vocals (21)
Aaron Novik: bass clarinet, composer
Credits:
Lyrics by Michael Bernard Loggins, Bart Alberti, and Swan. Recorded by Eli Crews and John Finkbeiner at New Improved Recording. Carla's vocals on Goodbye to Bird, The Classicist, and T.S. Eliot recorded at FM Recorders by Sep Valizadeh. Mixed by Eli Crews at Tiny Telephone. mastered by Michael Romanowski. "Trashing Up The Street" and "Wisps" were recorded live at Bluesix. Album cover art by Rebecca Peters. CD booklet drawings by Michael Bernard Loggins. Layout design by Peter Varshavsky.

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tags

about

Aaron Novik San Francisco, California

I enjoy playing with genre and have a hard time defining/confining myself. In the past few years I have written music for different projects that could be defined as pop songs, chamber classical, psychedelic jazz, klezmer folk and even heavy metal. Within these obviously disparate stylistic choices are a unifying compositional esthetic that slowly reveals itself the more projects you hear of mine. ... more

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